مَا(do you) read on your back with your legs up

we don’t throw spaghetti on the wall to see if it’s done

(Quelle: flisteen)

our notebook is dead, so we sit and read paper

(Quelle: midcenturia)

we act nonchalant

hut ab

we keep it plain

(Quelle: analogdialog)

(Quelle: theaussienomad)

we can’t wait to share breakfast with you again

(Quelle: pipedreamsinparadise)

leadingtone:

Ligeti - Artikulation 
visualization by Rainer Wehinger 

janneke-maan:

pekka halonen - snow-covered pine seedlings (1899)

via the finnish national gallery

leadingtone:

Diagram from Maelzel’s patent for the metronome, a “Machine for the Improvement of All Musical Performance,” England, 1815.

we think singing with friends helps too

i love my bed

calming, busy exploratory sound

oldhollywood:

Krzysztof Penderecki - Polymorphia for 48 String Instruments (The Exorcist: Original Motion Picture Soundtrack) 

Polymorphia was originally composed in 1961 by the avant-garde Polish composer Krzysztof Penderecki. It was also later used, in addition to several other Penderecki compositions, in Stanley Kubrick’s The Shining. 

this or a bucket of sugar frogs

i like to think that telepaths hear G sharp octaves before they read my mind

on a calliope, though

‘cause anything else would be pretentious-sounding